Thirty-Five Minutes To Ten

I neatly folded some harina masa into my stockings, and this left the commission bewildered. And what was the name of that ridiculous song I enjoyed so. What I'm trying to say is that I never liked the Simpsons as much as you guys did! I'm a friend in the end, and the word 'testicles' is both an ice-breaker and a powerful punchline word. Those are the two, these are the two, them's the two. Lisa and Bart. Lisa double-peeled the fleshy beans while naked and amidst the exotic jungle animals. They were quiet but very, very aware. Demarcus and the pinstriped haircut kid, staring at the canvas. "It's a Gauguin, and it's not for kids." (I would check with the MPAA on that one - last I checked...PG...[shrug]).

The commission laughed heartily and the bald man in the back with the South African accent dropped a few coins on the ground. Everyone laughed some more, and I kept folding the corn meal. Lisa kept parboiling and peeling those dreaded, fleshy beans. Bart cried at night, when the pencils were down, when graphing calculators recharged. Antonio fell on the Tampa ice, and when he looked up at the sky, he felt America. The America from that song about the fruited plains and the multitudinous bounty of wheat.

This is a back-loaded endeavor said the man indicted in the automobile manslaughter lawsuit. You are a suit, Thrill, and that's ironic, sure, but it's more than that. You're a whore. Lisa's no ho! Bart! I went to this new city the other night, and I noticed some sweet nothings. I caressed them on their legs; between me, my love of carnal pleasures, my hands, and Her sweet nothings, were some tamale-ass stockings like you can't believe! And that's what happens down under when I'm involved.

Through a small hole in all of this (it had been cut by an Italian-American craftsman), I saw a birthmark on a butt cheek, but that went out of focus quite, and I mean, very, quickly, and in the distance I resumed my quest. In a distant era, beyond major chords, where brass isn't a factor, a faction, or another word for testicles, there are tightly-pulled lines. And on that banjo he played a fishing ditty, and it went something like this:

To all the rocks and stones who delight in my hunger
I don't care, I'm a fisherman proper
You're a wild salmon robber
I'll have my way with you.

I slapped everyone all at once, and in doing so, irritated lots of people I didn't know and never had a problem with. This is the method. This is the mathematical method. Step one, oh shit! You fell down the abyss! There was an abyss so close to step one and look what you did. I suppose you're still falling, it's an abyss for god's sake. I made some eggs, they were gritty, and I slathered them all over my pool table. Picture a pool table with corn-ass grit felt, pale yellow because I used inexpensive eggs dropped down a conveyor belt that screams its anthem:

So this isn't my day, but what is?
There are the stinky ovulating gatekeepers
But the shop is a Catholic shop, and Master believes.
So nothing slides on Sundays. Just my icy steel, weeping pysche.

There are insects, and there are parties. There are green hues, and there is a war with guns and bullets and heat. Do you know what's involved in refueling a fighter jet in mid-air? They do it. They do it, you need a cable. I fear for our collective organs. And then the typo came. The typo was bent over like a desperate twenty-something on an anonymous Friday night when the monotony of the city got to her like a hurricane gets to all the marine animals. And it cmae hard. Like the second-hand starting a run from the summit. I whirled around and picked up some sand. And I uh...picked up a glob of it, it was sandy. I whirled around like an Olympian discus-thrower, and I showered like a decrepit man - and the acid stung - it climbed and slithered through my skin. I felt the temporary pain; I felt my rationale.

I know these two dudes, god I wish I had a story about a time they made a corn joke, but the bottom line is that corns don't happen to them. This is a different era and there just aren't advertisements like that anymore. There are products, there are white, porcelain plates and they know no owner. Misplace me. Mommy I'm lost. There are quiet fish and loud fish and tiny fish and big-ass cornbread jalapeño dunkers and I'm gonna turn myself in, once and for all - spill my GUTS! "You should come too!" one dude said to the other dude! There was a knock and the units filed in. There was a sinister man keeping track of everything in the corner with a clipboard and some banana chips. It's always...always about nutrition. Ain't it Thrill? You suit. I'm bitter, and you don't want to see me up-close, Lisa. "Go ahead!" she said.

But I had to save you. Your altitude was distressing. Terminal velocity is reached very quickly when you fall into an abyss. I jumped into the abyss, singing the Song of the Abyss:

Roll and throw and lift and listen
I'm the captain's whip, the seamstress' zipper
Can you feel my depth or hear my whisper?

We're headed down to the Maker's lair
Wheels and apples - laws and globes
Expose your bare neck, chest, and bones
Your fancy moves aren't your own.

You've scaled and froze and wiggled around
So trace back brother! Swim back, friend!
They'll find you one day!
Rotting far down, fancy clothes on bones
Filleted and poached for dinner!

Changing Guards

In consideration of an edifice's verticality, that is, its upright girders, one needs context. So we provide this measure, at once, below. References are provided in short fragments - specifically - if unsophisticated.

Throughout its history, my street has maintained relative anonymity. And for that reason it believes in the Lamb. For that very reason, it elaborates upon weighty matters in brief gasps and short strokes. It is the attention-deprived nervous system of city streets. It can not deliver packages of increasing complexity or increasing volume. My street has fulfilled the promise of streets federated upon the fleshy underside of the Manhattan island, and has done so with quiet dignity despite its short stride, ambiguous pronunciation, and deepening paracitification.

You may recall that during the last few years [exposition of statistical trend]. I mean, isn't that a kicker? Big smile. Frantic chuckle fishing, frantic code red code blue the worst color code alarm. Nothing? So it's passed. I seek to describe the rigid cell wall in uncertain terms: it's over. It's over. Continuity is no longer an option, I doubt ordinary chemical treatments can help in this matter. There are two hard outer crusts between us, and I learned of these conditions bathed in a golden light at an uneasy altitude atop the city.

So the throne awaits. The lofty throne that has been occupied so many times before. From this perch, a panorama of the ages surfaces awkwardly against the walls. You can see the breaks in the wallpaper. You can tell that the architect was unable to acquire certain permits. So walk up to the throne. Stumble up, this is a public monument, after all. This is a split-second recalculation, an unthinking audible, a fiery near-disaster. There is an inscription but I'm too lazy to read it. So I stumbled down. I rolled off like a statistic in a mime show. We cornered in together, but agreed on something at once: [secret opinion on the Anglo-Saxon linguistic arsenal]. The train was packed, so we wedged. We ruined a world we weren't always part of - no I'm not thirsty.