About form, I was sure, the author had paved his own path (or in less cliché terms, the author had employed a style all his own, not mimicking anyone else). It makes an interesting read, as it's fresh, and these days, unassuming freshness is hard to find, easy to detect, and frankly, difficult to reproduce. The style keeps you on your toes (or in less cliché terms, this unpredictable quality makes the reader quite attentive).
He also does this thing where he states something about a character, and then immediately after, he completely undermines it with a straightforward rebuttal to the initial statement. Well it's not really a rebuttal — it's not black and white like that. It's more of, here's some hot soup, oh wait let me throw an ice cube in it. Nothing is as extraordinary as it originally sounds, how the character wants it to sound, or even how the author first said it. Everything's kind of muddled, or, if not tempered entirely, exists in an extreme, useless state hidden inside the thoughts of a character, or in the ultimately subordinate, descriptive language of the story.
How do you begin to praise the 4-page sentence? It's unmistakable, when you turn to that spread of fully-justified type, it dawns on you that you've already been reading this weed of a thought for a page and a half, and that's the best way to describe what he does with the sentence about the Swabian. It's not a "stream of consciousness," which is the shit I try to do, it's a purposeful ramble. It's the exploration of a branch to its terminus, a steady retreat...repeat. It's a masterful stroke by a talented artist. I can't even identify the purpose yet, but overall I just don't see this guy as someone who does things for a reaction, or is experimenting — he's not. It also contains a story of a story about Buenos Aires in the 20s, the phrase "meat emporium," the phrase...words that to the little gaucho sounded like the moon, like a slow storm, and then the little gaucho looked up at the lady with the eyes of a bird of prey, ready to plunge a knife into her at the navel and slice up to the breasts, cutting her wide open, his eyes shining with a strange intensity, like eyes of a clumsy young butcher...(how good is that!), and all of this a discussion that happened in the past, over a sparse German meal of sausages, potatoes, and beer. Good god Roberto, you've done it! Persist me to the 96th percentage, carry me Furiously onward! To the house.
I wanted to write a story about an urban professional who walked along the sidewalk late, late one night. Leaves rustled and the last lamp on the block went dark. A smallish man jumped out of the hedge and put a knife to the yuppie's neck and said, "give me your wallet." The miserable man quickly realized he only had $7 on him, so he gave him the wallet, crying, and then said, here, I have an iPod and a phone. The mugger thumbed the three bills and then caressed the shiny hard disk - content. He began running off in the direction the yuppie had just come from. The yuppie yelled after the man, and said, "Hey!" "HEY!" The guy turned around. "Hey come here. Can you do me a favor?" The mugger was twenty feet away from the yuppie's urine-stained slacks. The pathetic man rolled up his sleeve and said, "can you slice my arm?" The mugger ran off.
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