From Whitestone Road

Santa Anna's guilt leather black beard mausoleum.
Brothers' town pocket dragged'n'bound forgotten trust.
Oklahoma baby bridge yellow painting hanging.
Your mother's cuffs slip fall slowly beneath pipes.
Friends seeping dream under Angie Beck neck pain.
Reading olive frustration tomorrow account low.
Payment canyon carrot stars above the campsite.
Mesquite road abbreviation tearful lake fire.

Santa Anna's golden hair, a campfire backpack ridge.
Brother carefully limns; watched forever.
Oklahoma museum tickets airport architecture.
Your mom's quiet march through the church.
Friendly exchanges for now slip, chuckle, pop.
Reading peacefully until a thought rises.
Payment unnecessary she told me, kneeling.
Mesquite brush can't light up - no moon.

Santa Anna, like the morning's last dream (for once!).
Brother like the blood we share, bones and clothes.
Oklahoma at night stirs us up - twists and churns.
Your mom wore a pin to the demonstration.
Friendly bets about the depressing occasion.
Reading stopped and the pig's snout crumbled.
Pay as you play but play all you want.
Mesquite highway burial, the lights and the bridge, the snares and the sounds after. The ghosts in the breeze held tight against the wind. Two figures moved up the line and the moon stayed behind the one cloud in the sky, and I thought to my brother, "how did we end up here?" And he thought back, "we're standing still." So I addressed the situation 42 Whitestone Road: "ha-d'ya mean it cheerp?" I had never heard this accent before so I had to ask for another swig of it. "Kai get anoffer?" and kind of raised my bottom lip a touch. "Ayyh"

Sigh, of course, I couldn't hear anything over the roar of the CHP choppers. I know, I should've given you that information up front. Sometimes I get all clandestine on ya. Oooh, shady like a how-does it sound? I stood quietly because I wanted the moment to last. I expected it would - "much obliged" I muttered, "much obliged." I thought of these things and I thought how weird stuff feels.

Something's so easy about the oldern days. It's as if they weighed so little and there were no hardships, right Peter P.? I missed that decade and now the days are porky messes, spooky bass notes all the way down in the scales at the end of the piano where I let my cousin sit and see the crumbs under the keys, and inside: God's light. Inside: it was cold but verdant, the opposite of temperature, colored green and alluding unequivocally to Fridays when I wore shorts out in the blustery evening air. These precautions are for you own good, everyone yelled. Everyone's always yelling and if they're not than I am on the inside.

"Me and Frankie, livin' and drinkin', nothin' feels better than blood on blood.
Takin' turns dancin' with Maria, as the band played Night of the Johnstown Flood."