Each leaf in my schematic has been thoroughly photosynthesized. Red coursing commencement traversal, it's blood, let's face it. It's blood. (Type) Oh shit. B&A! No one gets it. Too much time. Anyway I don't want to get all economological (even though I'm surrounded by girls on the pill) and shit, but seriously, the branches get shorter as they extend from the root, and at the root we have a cause. The cause doesn't have to be environmental but I think it works here especially well, given the 3.333 (bar) tree.
The old man knows what I'm talking about, he's been here since the tree got itself up from the Piazza di Porta Capena and moved across the Circo Massimo to that little nook where Via S. Gregorio bends magnetic north (erection).
Circo Massimo.
Mothers massage the limbs. It's blood. Crooked blue to red in the leaf veins. Let's discuss the specifics of the golden halo around each leaf, pretty pretty please. The grades, the doors, lay down. It was a track, there was a chalice, there was Nero! The thick Augustinian air surrounds white marble tourists. Powerwash the marble and autopop the gold plating. Get in line! Get. Set. Vertex. Return. Compare. Retrieve. Perceive. It rains there, no more.
I like when girls where white tank tops. I like when they're leaves with golden halos. I really love it when the gold glows bright bold yellow, and when the old man burnt little nubs of white marble onto roots, predicting their weightless brilliance. Those are the breathtaking ones. There's not even a semblance of frequency/amplitude modulation on that magnetic tape. Back then it was about corrugated speechless devices.
Green village.
Back, back, back...It's blood, or is it chloroform? I need to meet the rest of my leaves. Hopefully one of them will be wearing a white tank top and be bold-gold halo'd. Clean and concise on average, never oppressive. Don't tell me to protect the leaves, stick to tangible global issues or you will lose your halo. You'll lose your halo if you're too pointy. Your halo will tarnish if you don't follow the old man's marble engraving.
